ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy/J. Paul Getty Museum] Softcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
[Goring-By-Sea, WS, United Kingdom] [Publication Year: 2003]

ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy/J. Paul Getty Museum] Softcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
[Goring-By-Sea, WS, United Kingdom] [Publication Year: 2003]

London, Royal Academy of Arts, 2003. Large paperback. 29x22 cm. 576 p. Profusely illustrated in colour.. -good.-(Some minor shelf wear/signs of use, but overall the book is in good condition.). ISBN 9781903973288. London, Royal Academy of Arts, 2003 ISBN 1903973287 9781903973288 [NL]

Royal Academy of Arts, Date: 2003. ~Prolifically illustrated in colour and black / white. ~Robust packaging. All UK orders with tracking, overseas orders on request.. Paperback. Fine. xv, 576pp. 22.5 x 30cm. No ownership marks. Binding sound, text unmarked. 2003. Royal Academy of Arts ISBN 1903973287 9781903973288 [GB]

Los Angeles / London : The J. Paul Getty Museum / Royal Academy , Date: 2003. Card covers in tidy condition, contents clean, a heavy book that will require an additional shipping fee for some international destinations, please contact for details. Paperback. Very Good. Large 4to. 2003. The J. Paul Getty Museum / Royal Academy ISBN 1903973287 9781903973288 [GB]

Los Angeles / London: The J. Paul Getty Museum / Royal Academy Of Arts, Date: 2003. Softcover. VG (scuffs, scratches & rubbed edge-wear to wraps; back upper wrap edge has small divet w/ transference to closing pg. spine ends rubs w/ creasing to top.). pictorial & grey wraps w/ red printing. 576 pgs w/ primarily color illustrations. This is a masterful account of Flemish illumination during its height, 1470-1560. Both precious objects and conveyors of serious meaning, the manuscripts considered here range from ecclesiastical texts, romance, and historical chronicles to ancient authors. The authors' collective and most welcome approach discusses manuscript production in terms of producers and consumers, with respect to artistic, political, and historical issues; these include interrelations between painters and illuminators, and collaboration among printer and illuminator, named scribes, and patronage. The illuminated manuscript is thus integrated into the intellectual and artistic contexts of the Renaissance, instead of regarded in isolation. The advent of printing coexisted with illumination for a time and, at least in one case, in the same workshop. Around 1475, printer Colard Mansion produced manuscripts with illuminations as well as printed texts that had spaces designated for such illustrations. Those who commissioned manuscripts and held sizable libraries included aristocrat Philippe de Homes and rulers Philip the Good, Charles the Bold, and Margaret of ...

ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: The J. Paul Getty Museum / Royal Academy Of Arts, Los Angeles / London] Softcover pictorial & grey wraps w/ red printing. 576 pgs w/ primarily color illustrations. This is a masterful account of Flemish illumination during its height, 1470-1560. Both precious objects and conveyors of serious meaning, the manuscripts considered here range from ecclesiastical texts, romance, and historical chronicles to ancient authors. The authors' collective and most welcome approach discusses manuscript production in terms of producers and consumers, with respect to artistic, political, and historical issues; these include interrelations between painters and illuminators, and collaboration among printer and illuminator, named scribes, and patronage. The illuminated manuscript is thus integrated into the intellectual and artistic contexts of the Renaissance, instead of regarded in isolation. The advent of printing coexisted with illumination for a time and, at least in one case, in the same workshop. Around 1475, printer Colard Mansion produced manuscripts with illuminations as well as printed texts that had spaces designated for such illustrations. Those who commissioned manuscripts and held sizable libraries included aristocrat Philippe de Homes and rulers Philip the Good, Charles the Bold, and Margaret of York.--WorldCat. VG (scuffs, scratches & rubbed edge-wear to wraps; back upper wrap edge has small divet w/ ...