Rizzoli, Date: 1996-03-15. Hardcover. Very Good. 0.8700 11.7300 9.4500. A nice, clean copy. 1996. Rizzoli ISBN 0847819361 9780847819362 [US]

Rizzoli International Publications, Date: 1996. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1996. Rizzoli International Publications ISBN 0847819361 9780847819362 [US]

Rizzoli International Publications, Incorporated, Date: 1996. Hardcover. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1996. Rizzoli International Publications, Incorporated ISBN 0847819361 9780847819362 [US]

H. Good. ISBN 0847819361 9780847819362 [US]

New York: Rizzoli, Date: 1996. 207pp, checklist, biographies, notes, num bw & some col ills. Black cloth in jacket. Light edge wear to jacket.. First Edition. Hard Cover. Very Good/Very Good. 4to. 1996. Rizzoli ISBN 0847819361 9780847819362 [AU]

ISBN10: 0847819361, ISBN13: 9780847819362, [publisher: Rizzoli, New York] Hardcover First Edition 207pp, checklist, biographies, notes, num bw & some col ills. Black cloth in jacket. Light edge wear to jacket. Size: 4to
[Ashmore, QLD, Australia] [Publication Year: 1996]

The Clarence H. White School of Photography. NY: Rizzoli, (Date: 1996). Text by Bonnie Yochelson and Kathleen A. Erwin. Several b/w and sepia toned photographs. 207 pp. Hardcover. 4to size. Black paper covered boards. Mild shelf wear. Else near fine. Clean, tight and bright. Dj is in like condition. Still in shrink-wrap Very good+/Very good+. 1996. Rizzoli ISBN 0847819361 9780847819362 [US]

Rizzoli, Date: 1996. Hardcover. Very Good. 1996. Rizzoli ISBN 0847819361 9780847819362 [CA]

New York: Rizzoli, Date: 1996. Hardcover. VG/VG. Black cloth boards with stamped lettering on front, silver lettering on spine, bw illustrated dust jacket, 207 pp, profusely illustrated in bw. This book presents the first comprehensive examination of the photographic work and teaching of Clarence H. White and his students, who were New York's vanguard art photographers in the first half of this century. The incisive texts, written by two White scholars, examine the social context of White's ideologies, and arts and crafts principles. These beautifully reproduced images reveal the photographic work of White and his students, which is based on the aesthetic principles that formed the foundations of modernism. Catalog of an exhibition beginning at the Detroit Institute of Arts, Mar. 23-May 26, 1996, and traveling to various other museums, 1996-1998. Includes bibliographical references and index. 1996. Rizzoli ISBN 0847819361 US

NY: Rizzoli, Date: 1996. 1st. Hardcover. Very Good/Very Good. Hardcover, 208 pages. Pictorial photography is noted for its artistic expressiveness, careful design and composition, and muted focus. In 1914 Clarence White (1871-1925) left Alfred Stieglitz's Photo-Secession group, abandoned his ambitions to be a photographic illustrator, and opened the Manhatten-based Clarence H. White School of Photography. Lecturers at his school included Stieglitz, Paul Strand, and Edward Steichen. White's unique teaching skills, especially his encouragement of women students, nurtured the careers of such talented photographers as Margaret Bourke-White, Laura Gilpin, and Dorothea Lange. Presented by the Detroit Institute of Arts and the George Eastman House, this companion volume for a traveling exhibition contains the elegant photographic imagery of White and his students. The clear text by two photography curators imparts how the revered teacher's romantic pictorialism became the foundation for the student's avant-garde modernism. By far the most substantial review of White's work and influence in print. Record # 363413 1996. Rizzoli ISBN 0847819361 9780847819362 [US]

New York City, Rochester, NY, and Detroit, MI: Rizzoli / George Eastman House in association with The Detroit Institute of Arts, Date: 1996. First edition and first printing. Hardcover. 207 pages. Edited by Marianne Fulton. Directors' statement by James L. Enyeart and Samuel Sachs II. Features text by Warren J. Coville, Bonnie Yochelson, and Kathleen A. Erwin. Includes numerous black and white images along with biographies of the photographers. A fine copy in a fine dust jacket. Signed by Bonnie Yochelson on the title page. A very fresh copy of this valuable reference book that is still in the publisher's shrinkwrap slit open for signature. 1996. Rizzoli / George Eastman House in association with The Detroit Institute of Arts ISBN 0847819361 US

new oversize hc, expedited & international shipping not available--PICTORIALISM Rizzoli ISBN 0847819361 9780847819362 [US]

Rizzoli Intl Pubns, Date: 1996. Hardcover. New. 207 pages. 12.25x9.50x1.00 inches. 1996. Rizzoli Intl Pubns ISBN 0847819361 9780847819362 [GB]

ISBN10: 0847819361, ISBN13: 9780847819362, [publisher: Rizzoli, New York] Hardcover First Edition 4to, 207 pp., Edited by Marianne Fulton.
[Pittsford, NY, U.S.A.] [Publication Year: 1996]

ISBN10: 0847819361, ISBN13: 9780847819362, [publisher: Rizzoli/George Eastman with Detroit Institute of Arts, New York] Hardcover 207 pages, appendices, index, credits, b/w, tinted, color illustrations; black boards. Fine, near fine dust jacket
[Indianapolis, IN, U.S.A.] [Publication Year: 1996]