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J. Edward Wright
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USD
36.36
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Ergodebooks /Abebooks
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ISBN10: 0195152301, ISBN13: 9780195152302, [publisher: Oxford University Press, USA] Softcover
[Houston, TX, U.S.A.] [Publication Year: 2002]
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J. Edward Wright
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USD
39.94
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Ria Christie Collections /Biblio
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New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The The Early History of Heaven. ISBN 0195152301 9780195152302 [GB]
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J. Edward Wright
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45.22
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The Saint Bookstore /Biblio
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Paperback / softback. New. How and why did Western cultures come to imagine the heavenly realm as they do? This volume traces the history of speculation about heaven and discovers that the Hebrew texts that fed Jewish and Christian notions were deeply influenced by images drawn from the surrounding cultures. ISBN 0195152301 9780195152302 [GB]
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J. Edward Wright
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USD
70.24
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ISBN10: 0195152301, ISBN13: 9780195152302, [publisher: Oxford University Press Inc, New York] Softcover Paperback. When we think of "heaven," we generally conjure up positive, blissful images. Heaven is, after all, where God is and where good people go after death to receive their reward. But how and why did Western cultures come to imagine the heavenly realm in such terms? Why is heaven usually thought to be "up there," far beyond the visible sky? And what is the source of the idea that the post mortem abode of the righteous is in this heavenly realm with God?Seeking to discover the roots of these familiar notions, this volume traces the backgrounds, origin, and development of early Jewish and Christian speculation about the heavenly realm -- whereit is, what it looks like, and who its inhabitants are. Wright begins his study with an examination of the beliefs of ancient Israel's neighbors Egypt and Mesopotamia, reconstructing the intellectual context in which the earliest biblical images of heaven arose. A detailed analysis of the Hebrew biblical texts themselves then reveals that the Israelites were deeply influenced by images drawn from the surrounding cultures. Wright goes on to examine Persian and Greco-Roman beliefs, thus settingthe stage for his consideration of early Jewish and Christian images, which he shows to have been formed in the struggle to integrate traditional biblical imagery with the newer Hellenistic ideas aboutthe ...
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