Paperback. Very Good. ISBN 0674762681 9780674762688 [GB]

Harvard University Press, 04/23/Date: 1992. Paperback. Used; Good. **WE SHIP WITHIN 24 HRS FROM LONDON, UK, 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books. 1992. Harvard University Press ISBN 0674762681 9780674762688 [GB]

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: Harvard University Press] Softcover **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.
[London, United Kingdom] [Publication Year: 1992]

Harvard University Press, Date: 1992. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1992. Harvard University Press ISBN 0674762681 9780674762688 [US]

Harvard University Press, Date: 1992-03-01. First Edition. Paperback. Good. 6x1x9. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day! 1992. Harvard University Press ISBN 0674762681 9780674762688 [US]

Harvard University Press, Date: 1992. Paperback. Good+. In very good physical condition, but about fifty pages have penned annotations. 1992. Harvard University Press ISBN 0674762681 9780674762688 [GB]

Cambridge, MA & London: Harvard University Press, Date: 1992. Copyright © 1992 by the President & Fellows of Harvard College 1st Printing. Trade Paperback. Like New. 8vo or 8° (Medium Octavo): 7¾" x 9¾" tall. David Foss & Annamarie McMahon (Cover Design); 'Les Quatre Cents Coups' (The 400 Blows), Courtesy of The Museum of Modern Art/Film Stills Archive (Cover Photo). 458 + xii + pp. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Synopsis: Chronicling one of the greatest and most popular national cinemas, Republic of Images traces the evolution of French filmmaking from 1895-the year of the debut of the Cinematographe in Paris-to the present day. Alan Williams offers a unique synthesis of history, biography, aesthetics and film theory. He brings to life all of the major directors, setting before us the cultures from which they emerged, and sheds new light on the landmark films they created. He distills what is historically and artistically unique in each of their careers and reveals what each artist has in common with the forebears and heirs of the craft.Within the larger story of French cinema, Williams examines the treasury of personal expression, social commentary, and aesthetic exploration that France has produced so consistently and exported so well. It is the tale of an industry rife with crises, ...

Paperback / softback. New. Republic of Images traces the evolution of French filmmaking from 1895-the year of the debut of the Cinematographe in Paris-to the present day. Alan Williams offers a unique synthesis of history, biography, aesthetics and film theory. He captures the formal and stylistic developments of film in France over nearly one hundred years. ISBN 0674762681 9780674762688 [GB]

Harvard Univ Pr, Date: 1992. Paperback. New. 472 pages. 9.25x6.00x1.25 inches. 1992. Harvard Univ Pr ISBN 0674762681 9780674762688 [GB]

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: Harvard University Press 1992-04-23] Softcover
[Wallingford, United Kingdom] [Publication Year: 1992]

Harvard Univ Pr 1992 Softcover New 472 pages. 9.25x6.00x1.25 inches.

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: 9.78067E+12] Softcover 472 pages. Cover wornChronicling one of the greatest and most popular national cinemas, Republic of Images traces the evolutio n of French filmmaking from 1895-the year of the debut of the Cin ematographe in Paris-to the present day. Alan Williams offers a u nique synthesis of history, biography, aesthetics and film theory . He brings to life all of the major directors, setting before us the cultures from which they emerged, and sheds new light on the landmark films they created. He distills what is historically an d artistically unique in each of their careers and reveals what e ach artist has in common with the forebears and heirs of the craf t. Within the larger story of French cinema, Williams examines t he treasury of personal expression, social commentary, and aesthe tic exploration that France has produced so consistently and expo rted so well. It is the tale of an industry rife with crises, and Williams offers a superb narrative of the economic, political, a nd social forces that have shaped its century-long history. He pr ovides biographical sketches of filmmakers from the early pioneer s of the silent era such as Louis Lumière and Alice Guy to modern directors such as Louis Malle, Claude Chabrol, and François Truf faut. Some of their careers, he shows, exemplify the significant contributions individuals made to the development of French fllmm aking; others yield illuminating ...

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: Harvard University Press] Softcover Chronicling one of the greatest and most popular national cinemas, Republic of Images traces the evolution of French filmmaking from 1895--the year of the debut of the Cinematographe in Paris--to the present day. Alan Williams offers a unique synthesis of history, biography, aesthetics and film theory. He brings to life all of the major directors, setting before us the cultures from which they emerged, and sheds new light on the landmark films they created. He distills what is historically and artistically unique in each of their careers and reveals what each artist has in common with the forebears and heirs of the craft.Within the larger story of French cinema, Williams examines the treasury of personal expression, social commentary, and aesthetic exploration that France has produced so consistently and exported so well. It is the tale of an industry rife with crises, and Williams offers a superb narrative of the economic, political, and social forces that have shaped its century-long history. He provides biographical sketches of filmmakers from the early pioneers of the silent era such as Louis Lumi re and Alice Guy to modern directors such as Louis Malle, Claude Chabrol, and Fran ois Truffaut. Some of their careers, he shows, exemplify the significant contributions individuals made to the development of French fllmmaking; others yield illuminating evidence of the problems ...

harvard 1992 Soft Cover Good 20919 surfare wear.

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: Harvard University Press] Softcover New Book. Shipped from UK. Established seller since 2000.
[Fairford, GLOS, United Kingdom] [Publication Year: 1992]

Harvard University Press 4/23/1992 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

Harvard University Press 4/23/1992 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: Harvard University Press] Softcover Chronicling one of the most popular national cinemas, this book traces the evolution of French filmmaking from 1895 - the year of the debut of the Cinematographe in Paris - to the present day. Williams offers a synthesis of history, biography, aesthetics and film theory. Num Pages: 472 pages, 30 halftones. BIC Classification: 3JH; 3JJ; APFA; AVGC9. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 233 x 155 x 34. Weight in Grams: 536. . 1992. Paperback. . . . .
[Galway, GY, Ireland] [Publication Year: 1992]

ISBN10: 0674762681, ISBN13: 9780674762688, [publisher: Harvard University Press] Softcover Chronicling one of the most popular national cinemas, this book traces the evolution of French filmmaking from 1895 - the year of the debut of the Cinematographe in Paris - to the present day. Williams offers a synthesis of history, biography, aesthetics and film theory. Num Pages: 472 pages, 30 halftones. BIC Classification: 3JH; 3JJ; APFA; AVGC9. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 233 x 155 x 34. Weight in Grams: 536. . 1992. Paperback. . . . . Books ship from the US and Ireland.
[Olney, MD, U.S.A.] [Publication Year: 1992]