Paperback. Acceptable. ISBN 0521477522 9780521477529 [GB]

Cambridge University Press 1994 Softcover Good Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Cambridge University Press, Date: 1994. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 1994. Cambridge University Press ISBN 0521477522 9780521477529 [US]

Cambridge University Press, Date: 1995-01-27. Paperback. Clean & Unmarked . 9x6x0. Previous owner name neatly on first leaf. Otherwise clean, and mostly straight copy. Clean text. 1995. Cambridge University Press ISBN 0521477522 9780521477529 [US]

Cambridge: Cambridge University Press, Date: 1994. 341 pages in excellent condition. Illustrated. Green, illustrated softcovers with orange titles. Light wear on corners. NEAR FINE. Softcover. Near Fine. 1994. Cambridge University Press ISBN 0521477522 9780521477529 [CA]

ISBN10: 0521477522, ISBN13: 9780521477529, [publisher: Cambridge Univ Pr] Softcover reprint edition. 353 pages. 10.00x7.00x1.00 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 1994]

Paperback / softback. New. The Cambridge Companion to Chopin is designed to provide the enquiring music-lover with helpful insights into Chopin's music and to account for a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. ISBN 0521477522 9780521477529 [GB]

Cambridge University Press, Date: 1995-01-27. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1995. Cambridge University Press ISBN 0521477522 9780521477529 [US]

ISBN10: 0521477522, ISBN13: 9780521477529, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of that style there has long been agreement. One of the aims of this Companion is to identify some of its sources, referring both to the social history of early nineteenth-century piano music (chapter 1) and to the music of Chopin's predecessors (chapters 2 and 3). The early music and the growth to stylistic maturity are examined in chapter 4. Part 2 of the Companion profiles some of the mature music in a language designed to be intelligible to the interested layman as well as to the musician. There are re-evaluations of Chopin's most 'epic' statements (chapter 5) as well as his most 'epigrammatic' (chapter 6). There is an account of his relation to Polish folk music in the dance pieces (chapter 7) and there is a fresh look at one of the more controversial aspects of his art, his handling of the sonata (chapter 8). Several facets of the afterlife of Chopin's music ...
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