Cambridge University Press, 1/28/Date: 1994 12:00:01 A. paperback. Good. 0.9685 10.9409 8.6890. Cover/edges have heavy wear and creasing. Ex owner markings on prelim pages. 1994. Cambridge University Press ISBN 0521338816 9780521338813 [US]

Cambridge University Press, Date: 1994-01-27. paperback. Good. 8x0x11. Paperback in good condition. Some creasing and edge wear to covers. Spine will have some creasing, but binding remains secure. Pages will have some highlighting but remain in good, readable condition. Our feedback says it all! Feel confident when you order from Hilltop Book Shop. 1994. Cambridge University Press ISBN 0521338816 9780521338813 [US]

Cambridge University Press, Date: 1994-01-28. Paperback. Used: Good. 1994. Cambridge University Press ISBN 0521338816 9780521338813 [US]

Cambridge University Press. Very Good. Date: 1992. Softcover. 0521338816 . Some foxing to textblock. Else minor shelfwear. Faint creasing to 1 corner of wraps. ; 10.9 X 8.5 X 1.2 inches; 362 pages . 1992. Cambridge University Press ISBN 0521338816 9780521338813 [CA]

Cambridge University Press, Cambridge (...), 1992. 1st ed. XII,350p. Soft cover. 'Any book by Martin Robertson will arouse great interest in the filed of Greek art: as former Lincoln Professor of Classical Archaeology and Art at Oxford, retired since 1978, he commands respect (?). In the present volume Robertson returns to what one suspects is his first love: Classical Athenian vase-painting. The title is carefully chosen, as Robertson explains (pp.XII,1-6), and immediately faces the reader with one question which has been much debated recently, whether vase-painting can be counted an art, or was merely a utilitarian craft. Characteristically, robertson tackles the question head-on from the beginning and at appropriate places in the narrative. In a sense, the question is of little significance: if one enjoys the artifacts, that is sufficient reason to study them. (?) The approach of this book is firmly traditional, concentrating attention on the developmental sequence of vase-painting, by means of the study of style which is the backbone of this study. (?). This is a book of immense learning, truly a lifetime's work, with painter profiles varying from thumbnail to several pages, according to what can be attributed to their hand, to how important they may be counted, and to Robertson's personal preferences.' (K.W. ARAFAT in Hermathena, 1993, pp.82-84). ISBN 0521338816 9780521338813 [NL]

ISBN10: 0521338816, ISBN13: 9780521338813, [publisher: Cambridge University Press 2008-10-14] Softcover
[Wallingford, United Kingdom] [Publication Year: 2008]

Cambridge Univ Pr, Date: 1994. Paperback. New. reissue edition. 350 pages. 11.25x8.75x1.00 inches. 1994. Cambridge Univ Pr ISBN 0521338816 9780521338813 [GB]

ISBN10: 0521338816, ISBN13: 9780521338813, [publisher: Cambridge Univ Pr] Softcover reissue edition. 350 pages. 11.25x8.75x1.00 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 1994]

Cambridge Univ Pr 1994 Revised ed. Softcover New Reissue edition. 350 pages. 11.25x8.75x1.00 inches.

ISBN10: 0521338816, ISBN13: 9780521338813, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - In this book, Professor Martin Robertson draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produces over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground.
[Einbeck, Germany] [Publication Year: 1994]
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