Yale University Press for the National Gallery of Art and the Metropolitan Museum of Art, 1999. Used - Very Good. 1999. Hardcover. Cloth, dj. Creasing along edges of jacket, minor fraying at corners. Else fine. A sound copy with pristine internals. Very Good. (Subject: Medieval & Renaissance). Yale University Press for the National Gallery of Art and the Metropolitan Museum of Art, 1999 ISBN 0300081626 9780300081626 [US]

Yale University Press, Date: 1999. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 1999. Yale University Press ISBN 0300081626 9780300081626 [US]

National Gallery of Art , Washington, Date: 1999. Hardcover. FINE/NEAR FINE. 352 pp. Black cloth, silver gilt lettering to spine, blindstamp to front cover. A pristine copy. DJ very light rubbing to tips. 1999. National Gallery of Art , Washington ISBN 0300081626 9780300081626 [US]

CT: Yale University Press, Date: 1999. first edition. Hardcover. Fine/very good +. 9 x 13 in. 352 pp. Cloth boards. Color and B&W plates. Condition is FINE ; like new on all points. Text spotless. DJ is VERY GOOD+ ; extremely clean, one tiny chip at top front fold. Extra shipping may apply. Art. RGR. 1999. Yale University Press ISBN 0300081626 9780300081626 [US]

Yale University Press, New Haven CT, Date: 1999. Book. Fine Condition. Cloth. 352 pp., many illus. both B&W and color. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC 3 October 1999-9 January 2000 and The Metropolitan Museum of Art, New York NY 7 February-14 May 2000.. 1999. Yale University Press, New Haven CT ISBN 0300081626 9780300081626 [US]

Metropolitan Museum of Art, Date: 1999. f/f. Quarto 352pp A fine copy in a fine dust jacket. In an mylar protective wrapper. 1999. Metropolitan Museum of Art ISBN 0300081626 9780300081626 [US]

Washington: National Gallery of Art, Date: 1999. hardcover. fine/near fine. Illustrated in b/w and color images. 352 pages. Tall 4to, black cloth, d.w. Washington, D.C.: National Gallery of Art, (1999). A fine copy in a near fine wrapper, with spine ends just slightly crinkled.<br/> <br/> 1999. National Gallery of Art ISBN 0300081626 9780300081626 [US]

ISBN10: 0300081626, ISBN13: 9780300081626, [publisher: National Gallery of Art , Washington] Hardcover 9.25 X 1.25 X 12.5 inches; 352 pages
[Martinez, CA, U.S.A.] [Publication Year: 1999]

ISBN10: 0300081626, ISBN13: 9780300081626, [publisher: Yale University Press October 1999] Hardcover The sculpture of Tilman Riemenschneider stands at the threshold of two eras. Solidly anchored in the late Gothic tradition, it is also astonishingly daring. Riemenschneider, who was active in Wurzburg from around 1483 until 1531, was one of the first sculptors to abandon polychromy on occasion, making a conscious aesthetic decision to leave visible his favored material, limewood. His sculpture strikes a rare balance between formal elegance and expressive strength, and it is among the most appealing work of the late Middle Ages. The approximately fifty works documented in this handsome volume offer a fresh look at this great master. The book presents a broad survey of Riemenschneider's oeuvre, including representative work from all periods of his career. Contributors explore the sources for his art, his social millieu and the organization of his workshop, the critical reception of his work, his polychrome and monochrome sculpture. Photographs commissioned especially for the book present the great altarpieces in Rothenburg on the Tauber, Creglingen, and Maidbronn as well as the large stone sculpture in Wurzburg. The book is the first publication in English with color reproductions of a significant portion of Riemenschneider's oeuvre. The approximately 50 works documented in this handsome volume offer a fresh look at this great master, presenting a broad ...