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Oxford 2000 Soft cover Very good. No jacket Cover has some dark splotches on the back and the lamination is wrinkled on/near the spine. Bottom edge of book has 3 bold sharpie lines. Inside pages are clean and unmarked.
Oxford, Date: 2000. Soft cover. Very good/No jacket. Cover has some dark splotches on the back and the lamination is wrinkled on/near the spine. Bottom edge of book has 3 bold sharpie lines. Inside pages are clean and unmarked. 2000. Oxford ISBN 0195162579 9780195162578 [US]
ISBN10: 0195162579, ISBN13: 9780195162578, [publisher: Oxford] Softcover Cover has some dark splotches on the back and the lamination is wrinkled on/near the spine. Bottom edge of book has 3 bold sharpie lines. Inside pages are clean and unmarked. [Berkeley, CA, U.S.A.] [Publication Year: 2000]
Oxford University Press, USA, Date: 2003-02-13. Paperback. Good. Excellent customer service. Prompt Customer Service. 2003. Oxford University Press, USA ISBN 0195162579 9780195162578 [US]
New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Making Music Modern: New York in the 1920s. ISBN 0195162579 9780195162578 [GB]
ISBN10: 0195162579, ISBN13: 9780195162578, [publisher: Oxford University Press, USA, New York] Softcover Paperback. New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varese, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies--such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts--to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the ...
Paperback / softback. New. This title sets the growth of American musical composition against parallel developments in American culture, provides a guide for understanding the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics. ISBN 0195162579 9780195162578 [GB]
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