ABC-CLIO, LLC, Date: 2007. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2007. ABC-CLIO, LLC ISBN 027599080X 9780275990800 [US]

Praeger, Date: 2007-05-30. Hardcover. Good. 2007. Praeger ISBN 027599080X 9780275990800 [US]

Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Post-Pop Cinema: The Search for Meaning in New American Film. ISBN 027599080x 9780275990800 [GB]

ISBN10: 027599080X, ISBN13: 9780275990800, [publisher: Bloomsbury 3PL] Hardcover nach der Bestellung gedruckt Neuware - Printed after ordering - Starting in the early 1990s, artists such as Quentin Tarantino, David Foster Wallace, and Kurt Cobain contributed to a swelling cultural tide of pop postmodernism that swept through music, film, literature, and fashion. In cinema in particular, some of the arts most fundamental aspects-stories, characters, and genres, for instance-assumed such a trite and trivialized appearance that only rarely could they take their places on the screen without provoking an inward smirk or a wink from the audience. Out of this highly self-conscious and world-weary environment, however, a new group of filmmakers began to develop as the decade wore on, with a new set of styles and sensibilities to match. In Post-Pop Cinema author Jesse Fox Mayshark takes us on a film-by-film tour of the works of these filmmakers-including Wes and P. T. Anderson, Sofia Coppola, Richard Linklater, Alexander Payne, and David O. Russell-and seeks to reveal how a common pool of styles, collaborators, and personal connections helps them to confront the unifying problem of meaning in American film.Wes Anderson's Bottle Rocket (1996) and Paul Thomas Anderson's Boogie Nights (1997) were ultimately about their characters' lives-even though their characters often dealt with highly contrived environments and situations. And soon after Wes Anderson scored ...
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