New Haven, Connecticut: Yale University Press, Date: 2007. Hardbound. VG+, edges show slight shelf wear. Black/pink/red illustrated paper-covered boards, 288pp, hundreds of color and BW plates. From Amazon--The dynamic relationship between rock music and visual art crosses continents, generations, and cultures. Beginning with Andy Warhol's involvement with The Velvet Underground in 1967, artists have maintained a strong connection to rock. Artists such as Slater Bradley, Mike Kelley, and Raymond Pettibon have created album covers and music videos for rock bands, while rock musicians such as Bryan Ferry, John Lennon, and Peter Townsend have emerged from art schools, and punk and new wave bands such as Talking Heads and Sonic Youth have shared the same social and artistic milieu as artists including Robert Longo and Richard Prince. Sympathy for the Devil: Art and Rock and Roll Since 1967 looks at the intimate and inspired relationship between the visual arts and rock-and-roll culture, charting their intersection through works of art, album covers, music videos, and other materials. Organized regionally by cultural centers including London, New York, Los Angeles, and Cologne, the essays examine rock and roll's style, celebrity, and identity politics in art; the experience, energy, and sense of devotion rock music inspires; and the dual role that many individuals play in both the sonic and visual realms. Presenting work that defies a more literal interpretation of the theme ...

Yale University Press, Date: 2007. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2007. Yale University Press ISBN 0300134266 9780300134261 [US]

Chicago / New Haven:: Museum of Contemporary Art / Yale University Press,. As New. Date: 2007. Hardcover. 9780300134261 . Exhibition catalog. Color and black and white illustrations throughout. First edition. As new in illustrated boards. No dust jacket, as issued. . 2007. Museum of Contemporary Art / Yale University Press, ISBN 0300134266 9780300134261 [US]

Yale University Press, Date: 2007-11-26. Hardcover. Used:Good. 2007. Yale University Press ISBN 0300134266 9780300134261 [US]

Museum of Contemporary Art, Chicago / Yale University Press, New Haven and London, Date: 2007. 1st Edition. HARDCOVER. Large, very heavy 4to in colour printed thick boards, 287pp on glossy art paper, colour plates, index etc __CONDITION : NEW unread and unmarked copy. __NOTE Due to size and/or weight, shipping will cost more than price shown above. Orders made by card will be completed only after you have approved any such extra cost... __We always ship in PROTECTIVE CARD PARCELS 2007. Museum of Contemporary Art, Chicago / Yale University Press, New Haven and London ISBN 0300134266 9780300134261 [GB]

Chicago and New Haven, CT: Museum of Contemporary Art; Yale University Press, Date: 2007. Pictorial boards, 287 pages, illustrations (some colour); 33 cm. Firm binding, clean inside copy. A fine copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "The dynamic relationship between rock music and visual art crosses continents, generations, and cultures. Beginning with Andy Warhol s involvement with The Velvet Underground in 1967, artists have maintained a strong connection to rock. Artists such as Slater Bradley, Mike Kelley, and Raymond Pettibon have created album covers and music videos for rock bands, while rock musicians such as Bryan Ferry, John Lennon, and Peter Townsend have emerged from art schools, and punk and new wave bands such as Talking Heads and Sonic Youth have shared the same social and artistic milieu as artists including Robert Longo and Richard Prince. Sympathy for the Devil: Art and Rock and Roll Since 1967 looks at the intimate and inspired relationship between the visual arts and rock-and-roll culture, charting their intersection through works of art, album covers, music videos, and other materials. Organized regionally by cultural centers including London, New York, Los Angeles, and Cologne, the essays examine rock and roll s style, celebrity, and identity politics in art; the experience, energy, and sense of devotion rock music inspires; and the dual role that many individuals play in ...