Paperback. Like New. ISBN 0226143244 9780226143248 [GB]

University Of Chicago Press, Date: 1987. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil & highlighter markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0226143244 1987. University Of Chicago Press ISBN 0226143244 9780226143248 [GB]

imusti, Date: 1987-07-15. 1. paperback. Used: Good. 1987. imusti ISBN 0226143244 9780226143248 [US]

University Of Chicago Press. Used - Very Good. Pap. Minor shelf wear. Else a bright, clean copy. Very Good. University Of Chicago Press ISBN 0226143244 9780226143248 [US]

ISBN10: 0226143244, ISBN13: 9780226143248, [publisher: University Of Chicago Press September 1987] Softcover used trade paperback edition. lightly shelfworn, corners a bit bumped, some scuffing/wear to covers. binding is straight and tight with no marks to text or other serious flaws. spine somewhat sun faded.
[Seattle, WA, U.S.A.] [Publication Year: 1987]

Chicago: University of Chicago Press. 1st thus (Date: 1987). 386pp. VG copy with some slight reading wear, small ink note to final black page . Very Good. Soft cover. 1st Edition. 1987. 1987. University of Chicago Press ISBN 0226143244 9780226143248 [GB]

University Of Chicago Press 1987 2nd ed. Trade paperback This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 750grams, ISBN: 0226143244.

ISBN10: 0226143244, ISBN13: 9780226143248, [publisher: University Of Chicago Press] Softcover First Edition First printing. Translation by Geoff Bennington and Ian McLeod of "La vérité en peinture" (Flammarion, 1978). Softcover volume, measuring approximately 6.25" x 9.25", shows very light shelfwear. Binding is sound. Pages are clean and bright. xiv/386 pages. "The four essays in this volume constitute Derrida's most explicit and sustained reflection on the artwork as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal
[Brooktondale, NY, U.S.A.] [Publication Year: 1987]
Show/Hide image

First printing. Translation by Geoff Bennington and Ian McLeod of "La vérité en peinture" (Flammarion, 1978). Softcover volume, measuring approximately 6.25" x 9.25", shows very light shelfwear. Binding is sound. Pages are clean and bright. 77 pages."Jacques Derrida's "Cinders" is among the most remarkable and revealing of this distinguished author's many writings. While Derrida customarily devotes his powers of analysis to exacting readings of texts from Plato and Aristotle to Freud and Heidegger, readers of "Cinders" will soon discover that here Derrida is engaged in a poetic self-analysis. Ranging across his numerous writings over the past twenty years, Derrida discerns a recurrent cluster of arguments and images, all involving in one way or another ashes and cinders. First published in 1982, revised in Date: 1987, and printed here in a bilingual edition, "Cinders" enables readers to follow the development of Derrida's thinking from 1968 to the present as it defines itself as a persistent questioning of origins that invariably leads to the thought of ash and cinder. Written in a highly condensed poetic style, "Cinders" reveals some of Derrida's most probing etymological and philosophical reflections on the relation of language to the human. It also contains some of his most essential elaborations of his thinking on the feminine and on the legacy of the Holocaust in contemporary poetry and philosophy. Uniquely accessible to readers who have only recently begun to read ...