University Press of Kentucky, Date: 2006-10-15. Hardcover. Like New. **HARDBACK** In unclipped dustjacket No stamps or inscriptions; clean condition 2006. University Press of Kentucky ISBN 0813124069 9780813124063 [GB]

ISBN10: 0813124069, ISBN13: 9780813124063, [publisher: The University Press of Kentucky] Hardcover New. In shrink wrap. Looks like an interesting title! 1.65
[North Las Vegas, NV, U.S.A.] [Publication Year: 2006]

University Press of Kentucky. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. University Press of Kentucky ISBN 0813124069 9780813124063 [US]

ISBN10: 0813124069, ISBN13: 9780813124063, [publisher: University Press of Kentucky] Hardcover Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
[Mishawaka, IN, U.S.A.] [Publication Year: 2006]

The University Press of Kentucky, Date: 2006. Hardcover. New/New. New hardcover book and dustjacket. B&W Photographs. 8vo 8" - 9" tall. J. E. Smyth dramatically departs from the traditional understanding of the relationship between film and history. By looking at production records, scripts, and contemporary reviews, Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her volume is a major reassessment of American historiography and cinematic historians from the advent of sound to the beginning of wartime film production in 1942. Focusing on key films such as Cimarron (1931) , The Public Enemy (1931) , Scarface (1932) , Ramona (1936) , A Star Is Born (1937) , Jezebel (1938) , Young Mr. Lincoln (1939) , Gone with the Wind (1939) , Stagecoach (1939) , and Citizen Kane (1941) , Smyth explores historical cinema's connections to popular and academic historigraphy, historical fiction, and journalism, providing a rich context for the industry's commitment to American history. Rather than emphasizing the divide between American historical cinema and historical writing, Smyth explores the continuities between Hollywood films and history written during the first four decades of the twentieth century, from Carl Becker's famous "Everyman His Own Historian" to Howard Hughes's Scarface to Margaret Mitchell and David O. Selznick's Gone with ...

The University Press of Kentucky 2006 First Edition; First Printing Hardcover, illus New in New dust jacket 0813124069. Book and DJ New. NO notes. No markings of ANY kind. Unclipped, unpriced DJ; 447 pages.

ISBN10: 0813124069, ISBN13: 9780813124063, [publisher: The University Press of Kentucky] Hardcover First Edition Book and DJ New. NO notes. No markings of ANY kind. Unclipped, unpriced DJ; 447 pages
[Chicago, IL, U.S.A.] [Publication Year: 2006]

The University Press of Kentucky, Date: 2006-10-27. Hardcover. Used:Good. 2006. The University Press of Kentucky ISBN 0813124069 9780813124063 [US]

The University Press of Kentucky 2006-10-27 Hardcover New Size: 9x6x1; New. In shrink wrap. Looks like an interesting title!

The University Press of Kentucky 2006-10-27 Hardcover Very Good Hardcover with dust jacket, full number line, tight, pages clear and bright, shelf and edge wear, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders.

ISBN10: 0813124069, ISBN13: 9780813124063, [publisher: The University Press of Kentucky] Hardcover hardcover with dust jacket, full number line, tight, pages clear and bright, shelf and edge wear, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders
[Frankfort, KY, U.S.A.] [Publication Year: 2006]

University Press of Kentucky 2006 Oct 27, 2006 New Hardcover dj, new book, very minor shelf wear! ab.