Oxford, New York, Singapore,, Date: 1992. First Edition. Hardback. Dust Jacket.. Embossed ownership stamp of John Michael Blundall (1937Ð2014), British puppet-maker, theatre director and collector. Otherwise very good indeed in very good+ dust jacket.. Large 8vo. pp xx, 175. Colour illustrated dust jacket with orange and grey lettering. Original publisher's printed boards with same image as dust jacket. Illustrated throughout in black and white and colour. ISBN: 0195885953 1992. ISBN 0195885953 9780195885958 [GB]

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Oxford] Hardcover First Edition Large 8vo. pp xx, 175. Colour illustrated dust jacket with orange and grey lettering. Original publisher's printed boards with same image as dust jacket. Illustrated throughout in black and white and colour. ISBN: 0195885953 Embossed ownership stamp of John Michael Blundall (1937–2014), British puppet-maker, theatre director and collector. Otherwise very good indeed in very good+ dust jacket.
[London, United Kingdom] [Publication Year: 1992]

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:0195885953
[Lincoln, United Kingdom] [Publication Year: 1992]

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Incorporated] Hardcover Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
[Dunfermline, United Kingdom] [Publication Year: 1993]

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
[Dallas, TX, U.S.A.] [Publication Year: 1993]

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Pres] Hardcover First Edition First edition in hardcover with dust jacket. The jacket has one tear, edge creasing, some sunning to the spine. Fine/Very Good.
[Calgary, AB, Canada] [Publication Year: 1993]
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ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
[Berlin, Germany] [Publication Year: 1993]

Singapore/ New York Oxford University Press 1992 Hardcover VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Pages are otherwise very clean and clear. ) Color illustrated boards; matching dj with yellow lettering. Mylar cover. xx + 175 pp. bw illustrations with several in color. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the region and ...

Singapore/ New York: Oxford University Press, Date: 1992. Hardcover. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Pages are otherwise very clean and clear.). Color illustrated boards; matching dj with yellow lettering. Mylar cover. xx + 175 pp. bw illustrations with several in color. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the ...

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Oxford] Hardcover First Edition This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the region and the Chinese-influenced theatre of Vietnam are discussed separately. 175 pp., 117 b&w and 40 colour plates, 9 line drawings. Very slight discolouration of endpapers; otherwise a new/unread copy. Size: 25 ...
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Singapore: White Lotus Press, Date: 1992. Paperback. Good/no dj. 0.98. Classical Dance and Theatre in South-East Asia 1992. White Lotus Press ISBN 0195885953 9780195885958 [US]

ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Singapore] Hardcover First Edition 175pp. Tight copy in mylar-protected dust jacket. Oversized.
[Gig Harbor, WA, U.S.A.] [Publication Year: 1993]
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