Boydell & Brewer Group, Limited , pp. 272 . Hardback. New. Boydell & Brewer Group, Limited ISBN 1843838109 9781843838104 [US]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell & Brewer Ltd] Hardcover 2013. Hardcover. Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music. Series: Music in Society and Culture. Num Pages: 269 pages, 37, 4 black & white illustrations, 33 black & white line drawings, 4 black and white, 33. BIC Classification: 1DDF; 3JJF; 3JJG; AVGC6. Category: (P) Professional & Vocational. Dimension: 161 x 241 x 20. Weight in Grams: 636. . . . . . Books ship from the US and Ireland.
[Olney, MD, U.S.A.] [Publication Year: 2013]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell & Brewer Group, Limited] Hardcover pp. 272
[New York, NY, U.S.A.] [Publication Year: 2013]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell Press] Hardcover New Book. Shipped from UK. Established seller since 2000.
[Fairford, GLOS, United Kingdom] [Publication Year: 2013]

Boydell Press 9/19/2013 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

Boydell Pr, Date: 2013. Hardcover. New. 256 pages. 9.25x6.25x0.75 inches. 2013. Boydell Pr ISBN 1843838109 9781843838104 [GB]

Boydell Pr 2013 Hardcover New 256 pages. 9.25x6.25x0.75 inches.

Woodbridge Boydell Press 2013 Hard cover New. Sewn binding. Cloth over boards. 269 p. Contains: Unspecified, Line drawings, black & white. Music in Society and Culture, 2.

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell Press, Woodbridge,] Hardcover First Edition First Edition. Hardback. 8vo. Original publisher's illustrated laminated boards. Issued without dust jacket. ISBN: 1843838109 Pages: 269 Fine.
[Wickham Market, United Kingdom] [Publication Year: 2013]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: BOYE6] Hardcover Like New
[Redhill, SURRE, United Kingdom] [Publication Year: 2013]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell Press] Hardcover
[Milano, MI, Italy] [Publication Year: 2013]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell Press] Hardcover
[Dallas, TX, U.S.A.] [Publication Year: 2013]

ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: BOYDELL & BREWER INC] Hardcover Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.&Uumlber den AutorBARBARA L. KELLY is Professor of Music, University of .
[Greven, Germany] [Publication Year: 2013]
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ISBN10: 1843838109, ISBN13: 9781843838104, [publisher: Boydell Press] Hardcover Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Socit Musicale Indpendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important and nuanced reflection to the current debate on modernism in music. It considers the roles composers, critics and biographers played in shaping debates about contemporary music, showing how composers including Ravel, Poulenc, Milhaud, Jolivet and Messiaen and critics such as Paul Landormy, Andr Coeuroy and Roland-Manuel often worked in partnership to bring their ideas to a publicforum. It also expands the notion of 'interwar' through the essential inclusion of World War I and the years before, reconfiguring the narrative for that period. This book challenges some of the stereotypes that characterisethe period, in particular, neo-classicism and the dominance of secularism. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc and invited audiences and critics to rethink what it meant to be modern. The interwaryears were also marked by commemoration and loss. Debussy's wartime death in 1918 stimulated competing ...