ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press] Softcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.35
[Dallas, TX, U.S.A.] [Publication Year: 2009]

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
[Montgomery, IL, U.S.A.] [Publication Year: 2009]

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover New. Fast Shipping and good customer service
[Fayetteville, TX, U.S.A.] [Publication Year: 2009]

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
[Hawthorne, CA, U.S.A.] [Publication Year: 2009]

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within
[Amherst, NY, U.S.A.] [Publication Year: 2009]

Duke University Press 2009 Trade paperback Good Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Duke University Press Books 2009-06-01 Paperback New Size: 9x6x1; New. In shrink wrap. Looks like an interesting title!

Duke University Press 2009 Trade paperback Good. Trade paperback (US). Glued binding. 384 p. Contains: Unspecified, Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Duke University Press 2009 Trade paperback Good. Trade paperback (US). Glued binding. 384 p. Contains: Unspecified, Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Duke University Press 2009 Trade paperback New A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. Num Pages: 384 pages, 63 illustrations. BIC Classification: 1FKA; APF. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 23. Weight in Grams: 602. 2009. Illustrated. Paperback.....We ship daily from our Bookshop.

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press] Softcover A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. Num Pages: 384 pages, 63 illustrations. BIC Classification: 1FKA; APF. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 23. Weight in Grams: 602. . 2009. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
[Olney, MD, U.S.A.] [Publication Year: 2009]

Duke University Press Books. Paperback. New. 9x6x1. Duke University Press Books ISBN 0822344114 9780822344117 [US]

Paperback / softback. New. A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. ISBN 0822344114 9780822344117 [GB]

Duke University Press Books, Date: 2009-06-01. Paperback. Good. 2009. Duke University Press Books ISBN 0822344114 9780822344117 [US]

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press, Durham.] Softcover Black and white photographic illustrations, xi + 372, notes, bibliography, index. Very good paperback copy. What remains of the 'national' when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died, and 10 to 12 million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual 'return of the repressed' as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma's disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning.He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with ...
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Durham.: Duke University Press. Date: 2009.. Black and white photographic illustrations, xi + 372, notes, bibliography, index. Very good paperback copy. What remains of the 'national' when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died, and 10 to 12 million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual 'return of the repressed' as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma's disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning.He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations ...

ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover
[Columbia, MD, U.S.A.] [Publication Year: 2009]
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