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If we had no winter, the spring would not be so pleasant; if we did not sometimes taste of adversity, prosperity would not be so welcome.
Duke University Press Books 2009 Paperback Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. [Harrisburg, PA, U.S.A.] [Publication Year: 2009]
Duke University Press 2009 Trade paperback Good Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes). [Columbia, MO, U.S.A.] [Publication Year: 2009]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press] Softcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.35 [Dallas, TX, U.S.A.] [Publication Year: 2009]
Duke University Press, Date: 2009. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2009. Duke University Press ISBN 0822344114 9780822344117 [US]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 2009]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 2009]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press, Durham.] Softcover Black and white photographic illustrations, xi + 372, notes, bibliography, index. Very good paperback copy. What remains of the 'national' when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died, and 10 to 12 million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual 'return of the repressed' as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma's disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning.He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-i ...
Durham.: Duke University Press. Date: 2009.. Black and white photographic illustrations, xi + 372, notes, bibliography, index. Very good paperback copy. What remains of the 'national' when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died, and 10 to 12 million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual 'return of the repressed' as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma's disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning.He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of ...
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press, Durham.] Softcover Black and white photographic illustrations, xi + 372, notes, bibliography, index. Very good paperback copy. What remains of the 'national' when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died, and 10 to 12 million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual 'return of the repressed' as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma's disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning.He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-i ...
Duke University Press 2009 Trade paperback Good. Trade paperback (US). Glued binding. 384 p. Contains: Unspecified, Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Duke University Press 2009 Trade paperback Good. Trade paperback (US). Glued binding. 384 p. Contains: Unspecified, Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2009]
Duke University Press 2009 Trade paperback Good. Trade paperback (US). Glued binding. 384 p. Contains: Unspecified, Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within [Amherst, NY, U.S.A.] [Publication Year: 2009]
Duke University Press 2009 Trade paperback Good. Trade paperback (US). Glued binding. 384 p. Contains: Unspecified, Illustrations, black & white. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Paperback / softback. New. A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. ISBN 0822344114 9780822344117 [GB]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press] Softcover New copy - Usually dispatched within 4 working days. A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. [Southport, United Kingdom] [Publication Year: 2009]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 2009]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press] Softcover A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. Num Pages: 384 pages, 63 illustrations. BIC Classification: 1FKA; APF. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 23. Weight in Grams: 602. . 2009. Illustrated. Paperback. . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2009]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press Books] Softcover New. In shrink wrap. Looks like an interesting title! 1.3 [North Las Vegas, NV, U.S.A.] [Publication Year: 2009]
Duke University Press Books, Date: 2009-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2009. Duke University Press Books ISBN 0822344114 9780822344117 [US]
ISBN10: 0822344114, ISBN13: 9780822344117, [publisher: Duke University Press] Softcover A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. Num Pages: 384 pages, 63 illustrations. BIC Classification: 1FKA; APF. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 23. Weight in Grams: 602. . 2009. Illustrated. Paperback. . . . . [Galway, GY, Ireland] [Publication Year: 2009]
Duke University Press 2009 Trade paperback New A work of film studies that traces how the traumatic Partition of India and Pakistan has been represented (or not represented) in Indian cinema from 1947 to the present. Num Pages: 384 pages, 63 illustrations. BIC Classification: 1FKA; APF. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 23. Weight in Grams: 602. 2009. Illustrated. Paperback.....We ship daily from our Bookshop.
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When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
