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ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover New copy - Usually dispatched within 4 working days. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. [Southport, United Kingdom] [Publication Year: 1990]
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 1990]
Nattiez, Jean-Jacques, and Abbate, Carolyn (Translated by)
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Princeton Princeton University Press 1990 Trade paperback New. Text in English, French. Trade paperback (US). Glued binding. 288 p. Contains: Illustrations, black & white.
Paperback / softback. New. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. ISBN 0691027145 9780691027142 [GB]
Princeton University Press 1990 Trade paperback New 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454......We ship daily from our Bookshop.
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 1990]
Nattiez, Jean-Jacques, and Abbate, Carolyn (Translated by)
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Princeton Princeton University Press 1990 Trade paperback New. Text in English, French. Trade paperback (US). Glued binding. 288 p. Contains: Illustrations, black & white.
Princeton University Press, Date: 1990-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1990. Princeton University Press ISBN 0691027145 9780691027142 [US]
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as 'what is a musical work' and 'what constitutes music,' Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning.In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. [Einbeck, Germany] [Publication Year: ...
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