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The MIT Press 2012 Paperback Good Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover New Copy. Customer Service Guaranteed [Denver, CO, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within [Amherst, NY, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. [Hawthorne, CA, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. [Tucson, AZ, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press 2012-09-04, Cambridge] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press 2012-09-04, Cambridge] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2012]
Paperback / softback. New. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe. ISBN 0262517957 9780262517959 [GB]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. [Berlin, Germany] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd] Softcover New copy - Usually dispatched within 4 working days. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe. [Southport, United Kingdom] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!! [Suffolk, United Kingdom] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. [Berlin, Germany] [Publication Year: 2012]
MIT Press 9/4/2012 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware - An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths. [Einbeck, Germany] [Publication Year: 2012] ...
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd] Softcover 2012. Paperback. An exploration of the production, transmission, and mutation of affective tonality--when sound helps produce a bad vibe. Series: Technologies of Lived Abstraction. Num Pages: 296 pages, 1 line drawing. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 224 x 172 x 14. Weight in Grams: 472. . . . . . [Galway, GY, Ireland] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover Steve Goodman is a Lecturer in Music Culture at the School of Sciences, Media, and Cultural Studies at the University of East London, a member of the CCRU (Cybernetic Culture Research Unit), and the founder of the record label Hyperdub.An exploration. [Greven, Germany] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd, Cambridge, Mass.] Softcover Paperback. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread-to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard-the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.An exploration of the production, tr ...
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe. ISBN 0262517957 9780262517959 [GB]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware -An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths. 296 pp. Deutsch [Bergisch Gladbach, Germany] [Publication Year: ...
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware -An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths. 296 pp. Deutsch [Bergisch Gladbach, Germany] [Publication Year: ...
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware -An exploration of the production, transmission, and mutation of affective tonalitywhen sound helps produce a bad vibe. [Zwiesel, Germany] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware - An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths. [Einbeck, Germany] [Publication Year: 2012] ...
MIT Press 9/4/2012 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover Steve Goodman is a Lecturer in Music Culture at the School of Sciences, Media, and Cultural Studies at the University of East London, a member of the CCRU (Cybernetic Culture Research Unit), and the founder of the record label Hyperdub.An exploration. [Greven, Germany] [Publication Year: 2012]
MIT Press 9/4/2012 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd] Softcover 2012. Paperback. An exploration of the production, transmission, and mutation of affective tonality--when sound helps produce a bad vibe. Series: Technologies of Lived Abstraction. Num Pages: 296 pages, 1 line drawing. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 224 x 172 x 14. Weight in Grams: 472. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd, Cambridge, Mass.] Softcover Paperback. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread-to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard-the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.An exploration of the production, tr ...
MIT Press 2012 Trade paperback New 2012. Paperback. An exploration of the production, transmission, and mutation of affective tonality--when sound helps produce a bad vibe. Series: Technologies of Lived Abstraction. Num Pages: 296 pages, 1 line drawing. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 224 x 172 x 14. Weight in Grams: 472......We ship daily from our Bookshop.
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd, Cambridge, Mass.] Softcover Paperback. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread-to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard-the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.An exploration of the production, tr ...
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover Buy for Great customer experience [Houston, TX, U.S.A.] [Publication Year: 2012]
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: The MIT Press] Softcover [DH, SE, Spain] [Publication Year: 2012]
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When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
