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The Getty Center For The History, Date: 1996-07-11. Hardcover. Good. 1.3386 10.4724 7.8740. Dust jacket and edges show shelf wear. Pages are clean and intact. 1996. The Getty Center For The History ISBN 0892362464 9780892362462 [US]
The Getty Center For The History, Date: 1996-07-11. Hardcover. Good. 1.3386 10.4724 7.8740. Dust jacket shows wear and staining. Edges shows minor shelf wear. Few pages shows minor staining. 1996. The Getty Center For The History ISBN 0892362464 9780892362462 [US]
Oxford University Press, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0892362464 9780892362462 [US]
Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Oxford University Press, Incorporated ISBN 0892362464 9780892362462 [US]
The Getty Center For The History Of Art, Date: 1996-07-11. Hardcover. Good. 1996. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [US]
Santa Monica, CA: The Getty Center For The History Of Art, Date: 1992. First edition thus. Hardcover. Near Fine/Very Good +. Large octavo with blue cloth boards in dust jacket. Book is in Near Fine conditon, jacket is Very Good +. Jacket has corner and edge wear, chipping and a crease. Book condition is Near Fine with light overall wear otherwise binding is tight and pages are clean, bright and unmarked. 1992. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [US]
The Getty Center For The History Of Art, Date: 1996-07-11. Hardcover. Like New. Light wear to covers. Text clean and unmarked. The binding is tight and square. Light wear to the dust jacket. Your satisfaction is guaranteed! dnr 1996. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [US]
The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago, Date: 1992. Issues & Debates Series Volume 2. Englischsprachige Hardcoverausgabe, Leineneinband mit Schutzumschlag, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). 1992. The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago ISBN 0892362464 9780892362462 [DE]
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press]] Hardcover First Edition Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William ...
Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press], Date: 1992. First Edition. Hardcover. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen ...
The Getty Center For The History Of Art. Used - Very Good. 1996. Hardcover. Some wear. Very Good. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [US]
The Getty Center For The History Of Art, Date: 1996-07-11. 1. Hardcover. Used:Good. 1996. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [US]
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press]] Hardcover First Edition Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William ...
Santa Monica: The Getty Center For The History Of Art, Date: 1992. First edition. Hardcover. Very good/Very good. 4to. pp. 360. heavy book additional postage will apply 1992. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [CA]
Gaehtgens Thomas W. and Ickstadt Heinz Joint Editors
author size:
USD
49.50
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LEFT COAST BOOKS /Biblio
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Santa Monica, CA, and Chicago, IL: Getty Center for the History of Art and Humanities, Date: 1993. Cloth, 360 pages, illustrations; 27 cm. Ideas & Debates Series. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: American genesis: the landing of Christopher Columbus, by Barbara Groseclose; Copley, West, and the tradition of European high art, by Werner Busch; Self, time, and object in American art: Copley, Lane, and Homer, by Barbara Novak; Romantic landscape painting in America: history as nature, nature as history, by Martin Christadler; Inventing the myth of the American frontier: Bingham's images of fur traders and flatboatmen as symbols of the expanding nation, by Franc oise Forster-Hahn; Fictions of nationhood: Leutze's pursusit of an American history painting in Du sseldorf, by Barbara Gaehtgens; Kindred spirits: notes on Swiss and American painting of the nineteenth century, by William Hauptman; Strategies of recognition: the conditioning of the American artist between marginality and fame, by Ursula Frohne. Winslow Homer's national style, by Nicolai Cikovsky, Jr.; The senses of illusion, by Olaf Hansen; Resisting modernism: American painting in the culture of conflict, by Kathleen Pyne.. 1st. Hardcover. Fine/Fine. 4to. Collectible. 1993. Getty Center for the History of Art and Humanities ISBN 0892362464 9780892362462 [US]
Getty Center for the History of Art and Humanities, 1993. hbk 4to. 360pp., illustr a like new copy still in publisher's shrinkwrap hence pristine Getty Center for the History of Art and Humanities, 1993 ISBN 0892362464 9780892362462 [US]
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Chicago, University of Chicago Press ,] Hardcover First Edition EA, 26x20 cm, 362 S., OLwd. m. OU., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien. [Frankfurt am Main, Germany] [Publication Year: 1992]
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Chicago, University of Chicago Press ,] Hardcover First Edition EA, 26x20 cm, 362 S., OLwd. m. OU., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien. [Frankfurt am Main, Germany] [Publication Year: 1992]
Santa Monica, CA The Getty Center For The History Of Art 1992 First edition thus Hardcover Near Fine in Very Good + jacket Large octavo with blue cloth boards in dust jacket. Book is in Near Fine conditon, jacket is Very Good +. Jacket has corner and edge wear, chipping and a crease. Book condition is Near Fine with light overall wear otherwise binding is tight and pages are clean, bright and unmarked.
Gaehtgens, Thomas W. and Heinz Ickstadt (Editors):
author size:
USD
21.60
price size:
Antiquariat Weber /ZVAB
dealer size:
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago] Hardcover 27 cm ; Issues & Debates Series Volume 2. Englischsprachige Hardcoverausgabe, Leineneinband mit Schutzumschlag, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw472 ISBN: 0892362464 [Neuendorf b. Elmshorn, SH, Germany] [Publication Year: 1992]
Gaehtgens, Thomas W. and Heinz Ickstadt (Editors):
author size:
USD
23.87
price size:
Antiquariat Weber /AbebooksDE
dealer size:
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago] Hardcover 27 cm ; Issues & Debates Series Volume 2. Englischsprachige Hardcoverausgabe, Leineneinband mit Schutzumschlag, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw472 ISBN: 0892362464 [Neuendorf b. Elmshorn, SH, Germany] [Publication Year: 1992]
Gaehtgens, Thomas W., and Ickstadt, Heinz (Joint Editors)
author size:
USD
49.50
price size:
LEFT COAST BOOKS /Abebooks
dealer size:
ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Getty Center for the History of Art and Humanities, Santa Monica, CA, and Chicago, IL] Hardcover First Edition Cloth, 360 pages, illustrations; 27 cm. Ideas & Debates Series. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: American genesis: the landing of Christopher Columbus, by Barbara Groseclose; Copley, West, and the tradition of European high art, by Werner Busch; Self, time, and object in American art: Copley, Lane, and Homer, by Barbara Novak; Romantic landscape painting in America: history as nature, nature as history, by Martin Christadler; Inventing the myth of the American frontier: Bingham's images of fur traders and flatboatmen as symbols of the expanding nation, by Franc oise Forster-Hahn; Fictions of nationhood: Leutze's pursusit of an American history painting in Du sseldorf, by Barbara Gaehtgens; Kindred spirits: notes on Swiss and American painting of the nineteenth century, by William Hauptman; Strategies of recognition: the conditioning of the American artist between marginality and fame, by Ursula Frohne. Winslow Homer's national style, by Nicolai Cikovsky, Jr.; The senses of illusion, by Olaf Hansen; Resisting modernism: American painting in the culture of conflict, by Kathleen Pyne. Size: 4to [Santa Barbara, CA, U.S.A.] [Publication Year: 1993]
description size:
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