ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Chicago, University of Chicago Press ,] Hardcover First Edition EA, 26x20 cm, 362 S., OLwd. m. OU., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.
[Frankfurt am Main, Germany] [Publication Year: 1992]

Santa Monica, CA: The Getty Center For The History Of Art, Date: 1992. First edition thus. Hardcover. Near Fine/Very Good +. Large octavo with blue cloth boards in dust jacket. Book is in Near Fine conditon, jacket is Very Good +. Jacket has corner and edge wear, chipping and a crease. Book condition is Near Fine with light overall wear otherwise binding is tight and pages are clean, bright and unmarked. 1992. The Getty Center For The History Of Art ISBN 0892362464 9780892362462 [US]

ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago] Hardcover 27 cm ; Issues & Debates Series Volume 2. Englischsprachige Hardcoverausgabe, Leineneinband mit Schutzumschlag, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw472 ISBN: 0892362464
[Neuendorf b. Elmshorn, SH, Germany] [Publication Year: 1992]
Show/Hide image

Getty Center for the History of Art and Humanities, 1993. hbk 4to. 360pp., illustr a like new copy still in publisher's shrinkwrap hence pristine Getty Center for the History of Art and Humanities, 1993 ISBN 0892362464 9780892362462 [US]

Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press], Date: 1992. First Edition. Hardcover. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen ...

ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: The Getty Center For The History Of Art] Hardcover 1996. Hardcover. Some wear. Very Good.
[Chicago, IL, U.S.A.] [Publication Year: 1996]

ISBN10: 0892362464, ISBN13: 9780892362462, [publisher: Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press]] Hardcover First Edition Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William ...